The nationalities of those bent on: Algerian
The targeting of a partnership between Algeria and Spain
I leave you with pictures


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The Mozabites ("At Mzab") are a branch of a large Berber tribe, the Iznaten, which lived in large areas of middle southern Algeria. Many Tifinagh letters and symbols are engraved around the Mzab Valley.
After the Islamic conquest, the Mozabites became Muslims of the Mu'tazili school. After the fall of the Rostemid state, the Rostemid royal family with some of their citizens chose the Mzab Valley as their refuge. However, the Rostemids were Ibāḍī and sent a preacher (Abu Bakr an-Nafusi) who successfully converted the indigenous Mozabites.
France annexed the Mzab in 1882 as part of their North African colonies. Upon Algerian independence in 1962, the territory became part of Algeria.
There are five qsur "walled villages" (ksour) located on rocky outcrops along the Wəd Mzab collectively known as the Pentapolis. They are Ghardaïa Tagherdayt, the principal settlement today; Beni Isguen At Isjen; Melika At Mlishet; Bounoura At Bunur; and El-Ateuf Tajnint. Adding the more recent settlements of Bérianne and El Guerara, the Mzab Heptapolis is completed.
The combination of the functional purism of the Ibāḍī faith with the oasian way of life led to a strict organization of land and space. Each citadel has a fortress-like mosque, whose minaret served as a watchtower. Houses of standard size and type were constructed in concentric circles around the mosque. The architecture of the M'zab settlements was designed for egalitarian communal living, with respect for family privacy.
In the summer, the Mzabites migrated to 'summer citadels' centred around palm grove oases. This is one of the major oasis groups of the Sahara Desert, and is bounded by arid country known as chebka, crossed by dry river beds.
The Mzab Valley was listed as a UNESCO World Heritage Site in 1982, as an intact example of traditional human habitat perfectly adapted to the environment.
The insular nature of the Ibāḍiyya has preserved the area, and Ibāḍī Σezzaba continue to dominate the social life of the area. A federal council, Majlis Ammi Said, unites representatives of the seven settlements as well as Ouargla, an ancient town located 200 km South-East of the Mzab valley. This council forms a federative body for religious, social and, increasingly, cultural matters. This religious federal council represents an “Islamic type of government” unique today.
Numerous details of Ibāḍiyya social life are ruled by this Islamic government, such as the weight of gold given as a dowry to a woman (maximum 60 grams) to the length of wedding celebrations (three days). The council makes decisions on details such as dowries, celebrations, dress. It used to impose punishments including exile, and a form of tabriyya "quarantine", where the offender may not interact with his fellow citizens. However, with economic, social and political integration to Algeria, these sanctions are less effective, and tend to have more impact on women.
The local language of the Mzab is Tumzabt, a branch of the Zenati group of Berber languages.

The Tuareg are matrilineal, though not matriarchal. Unlike many Muslim societies, women do not traditionally wear the veil, whereas men do. The most famous Tuareg symbol is the Tagelmust(also called éghéwed in Malian Tamasheq, or referred to as a Cheche, pronounced: Shesh from Berber), an often blue indigo coloured veil called Alasho. The men's facial covering originates from the belief that such action wards off evil spirits, but most probably relates to protection against the harsh desert sands as well; in any event, it is a firmly established tradition (as is the wearing of amulets containing verses from the Qur'an). Men begin wearing a veil when they reach maturity which usually conceals their entire face excluding their eyes and the top of the nose.
Tuareg people have a very personal wedding, there's an unspoken law about other people not interfering with marriage. The only tradition they know is a 'quarantine' period after one's husband's/wife's death. The widow is supposed to make something whereby her husband should be remembered during this period, and she's not to see other men. Men usually have to cleanse themselves physically and mentally. Nor was there a common punishment for women or men who were unfaithful. Although Tuareg aren't supposed to have more than one lifepartner (a relationship is practically equal to an engagement and once you're a couple you're expected to get married) it is highly unusual for them to stay single. When a partner passes away, they are expected to get married again (when the quarantine is finished). If there are no potential partners or the widow or widower is too old to get married there are exceptions.
Many Tuareg today are either settled agriculturalists or nomadic cattle breeders; though there are also blacksmiths and caravan leaders.
The Tuareg are sometimes called the "Blue People" because the indigo pigment in the cloth of their traditional robes and turbans stained the wearer's skin dark blue. Today, the traditional indigo turban is still preferred for celebrations, and generally Tuaregs wear clothing and turbans in a variety of colors.
Much Tuareg art is in the form of jewelry, leather and metal saddle decorations called Trik, and finely crafted swords. The Inadan community makes traditional handicrafts. Among their products are: Tanaghilt or Zakkat (the 'Agadez Cross' or 'Croix d'Agadez'); the Tuareg Takoba, many beautiful gold and silver-made necklaces called 'Takaza'; and earrings called 'Tizabaten'.
In 2007, Stanford's Cantor Arts Center opened an exhibition, "Art of Being Tuareg: Sahara Nomads in a Modern World," curated by Tom Seligman, Director of the center, who first spent time with the Tuareg in 1971 when he traveled through the Sahara after serving in the Peace Corps. The exhibition includes beautifully crafted and adorned functional objects such as camel saddles, tents, bags, swords, amulets, cushions, dresses, earrings, spoons and drums.[8] The exhibition is also being shown at UCLA Fowler Museum in Los Angeles and the Smithsonian’s National Museum of African Art in Washington DC.
Across History the Tuareg are renowned and respected warriors. Their decline a military Might came with the introduction of the fire arms, weapons which the Tuareg do not possess. The Tuareg warrior attire consists of a Takoba (sword), Allagh (lance) and Aghar (shield) made of antelope's skin.
Traditional Tuareg music has two major components: the moncord violin Anzad played often during night parties and a small tambour covered with goatskin called Tende, performed during camel races and horse races. and other festivities. Traditional vocal songs called Asak (songs), and Tisiway (poems) sung by women and men during feats and social occasions. Another popular Tuareg musical genre is Takamba, characteristic for its Afro-Berber percussions.
Tinariwen, a Tuareg band that fuses electric guitars and indigenous musical styles, was founded in the 1980s by rebel fighters. Tinariwen is one of the best known and authentic Tuareg bands. Especially in areas that were cut off during the Tuareg rebellion (eg Adrar des Iforas), they were practically the only music available, which made them locally famous and their songs/lyrics (eg Abaraybone, ...) are well known by the locals. [9] They released their first CD in 2000, and toured in Europe and the United States in 2004. The Niger-based band Etran Finatawa combines Tuareg and Wodaabe members, playing a combination of traditional instruments and electric guitars.
Many music groups emerged after the 1980s cultural revival. Among them Tartit, Imaran and known artists are: Abdallah Oumbadougou from Ayr, Baly Othmany of Djanet.
The Desert Festival in Mali's Timbuktu provides one opportunity to see Tuareg culture and dance and hear their music.
Other festivals include:
Tuareg Traditional Games include: